Celebration of Undergraduate Excellence (2013)While metaphysical turmoil is the essential human problem in T.S. Eliot’s “The Waste Land,” “The Love Song of J. Alfred Prufrock” and “Preludes,” traditional criticism of the poems relegates the physical world to a merely rhetorical role. This thesis argues that Eliot’s use of objects in his poetry suggests they are active in the construction of experience and subjectivity. By using previous critical analysis, object-oriented philosophy and theory, and Eliot’s prose and poetry, I explore how Eliot’s poems present a distinct model of subject-object relations that is relevant both to modern critical questions and to the study of 20th-century literature
T. S. Eliot's earliest verse is composed of observations, detached, ironic, and alternatively disill...
T. S. Eliot's fascination with the interaction between the lyric and the dramatic is evident from th...
What T. S. Eliot once said about Shakespeare and Dante—noting that that the supreme poet “in writing...
Presents the second part of the discussion about T. S. Eliot work. Professor Hammer's discussion of ...
At the present paper, we aim at explaining T.S. Eliot’s own poetry considering his own essayson the ...
At the present paper, we aim at explaining T.S. Eliot’s own poetry considering his own essayson the ...
This thesis challenges T.S. Eliot’s claim of 1919 that his ‘impersonal’ theory of poetry is based pu...
Metaphor is the most widely recognized and discussed type of trope. It has attracted the attention o...
The claim of this paper is that the poetic word enables a creative and insightful perspective on ph...
This study examines 'tone' and 'voice' in T. S. Eliot's early poetry and prose from sociological and...
The aim of this thesis is to trace key elements of the poetics that produced The Waste Land, T. S. E...
Literary theories and movements have different phases and characteristics. Modernism as a literary m...
The main goal in writing this paper is to illustrate and shed light on the four main themes of the p...
Modern poetry is marked with the spirit of revolt against humanism and romanticism. The note of pess...
“Tradition and the Individual Talent” (1919) is T. S. Eliot's expression of his poetics of impersona...
T. S. Eliot's earliest verse is composed of observations, detached, ironic, and alternatively disill...
T. S. Eliot's fascination with the interaction between the lyric and the dramatic is evident from th...
What T. S. Eliot once said about Shakespeare and Dante—noting that that the supreme poet “in writing...
Presents the second part of the discussion about T. S. Eliot work. Professor Hammer's discussion of ...
At the present paper, we aim at explaining T.S. Eliot’s own poetry considering his own essayson the ...
At the present paper, we aim at explaining T.S. Eliot’s own poetry considering his own essayson the ...
This thesis challenges T.S. Eliot’s claim of 1919 that his ‘impersonal’ theory of poetry is based pu...
Metaphor is the most widely recognized and discussed type of trope. It has attracted the attention o...
The claim of this paper is that the poetic word enables a creative and insightful perspective on ph...
This study examines 'tone' and 'voice' in T. S. Eliot's early poetry and prose from sociological and...
The aim of this thesis is to trace key elements of the poetics that produced The Waste Land, T. S. E...
Literary theories and movements have different phases and characteristics. Modernism as a literary m...
The main goal in writing this paper is to illustrate and shed light on the four main themes of the p...
Modern poetry is marked with the spirit of revolt against humanism and romanticism. The note of pess...
“Tradition and the Individual Talent” (1919) is T. S. Eliot's expression of his poetics of impersona...
T. S. Eliot's earliest verse is composed of observations, detached, ironic, and alternatively disill...
T. S. Eliot's fascination with the interaction between the lyric and the dramatic is evident from th...
What T. S. Eliot once said about Shakespeare and Dante—noting that that the supreme poet “in writing...